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Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

No Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 1-MAR-2005
Media Type: DVDSimon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poe! m. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as perverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching! them in one's home makes them seem more intimate and less abs! tract. < I>--Bret FetzerWit and intrigue make memorably comfortable bedfellows in writer-director Hal Hartley's sequel to his 1998 hit "Henry Fool," as Fool's ex-wife, Fay Grim (Parker Posey), is pressured by an eccentric CIA agent (Jeff Goldblum) to locate some of Henry's missing notebooks. Convinced they contain information compromising to the government, Fay begins her search in Paris, and a truly unique game is afoot. Liam Aiken, James Urbaniak also star. 118 min. Soundtrack: English; Subtitles: Spanish.Fay Grim is Hal Hartley's version of the espionage thriller. Consequently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from n! ovelist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fay travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the t! ime being, from a string of disappointments, like No Such T! hing and The Girl From Monday. --Kathleen C. Fennessy

Dead Presidents

• Get ready for action with this explosively exciting hit! On the streets, they call cash "Dead Presidents". And that is just what a Vietnam veteran (Larenz Tate -Menace II Society) is after when he returns home from the war, only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist -a daring daylight robbery of an armored car filled with unmarked U

Kristy Swanson, Omar Epps, Ice Cube. A college freshman must confront racial injustice, sexuality and a group of dangerous neo-Nazis in this jarring look at college life. 1995/color/126 min/R.This ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, parti! cularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismissed. --Tom KeoghThis ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the ! one hand and circle the wagons with like-minded allies on the ! other. S tudents in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismissed. --Tom KeoghThe talented African-American filmmaker is saluted with a special set featuring three of his works: "Boyz N the Hood," "Higher Learning" and "Poetic Justice."Boyz N the Hood
John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a f! eature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Sing! leton (who grew up in that neighborhood), achieving accuracy a! nd drama tic resonance in this story of at-risk youth. --Shannon Gee

Poetic Justice
Director John Singleton (Boyz N the Hood, Rosewood) made an earnest effort in this, his second, film to say a great deal that is true and relevant about living and loving in a violent, difficult time in American history. Janet Jackson plays a beautician and poet who withdraws into herself after her boyfriend is murdered by gangsters. The late Tupac Shakur plays a postman who tries to get through to her, and the two travel on a course through urban America, connecting with family and community. Singleton has so much on his mind that the film comes out a terrible muddle, but there is a certain integrity peeking through the fog. Shakur makes a startlingly good impression in his film debut, and Jackson strips away her star veneer to play something like a real person--and entirely succeeds. Maya Angelou wrote the poems that pass as those penned by Jackson's characte! r, and she also appears in the film. --Tom Keogh

Higher Learning
This ambitious 1995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding cultu! re--is not to be dismissed. --Tom KeoghThis ambitious 1! 995 film by John Singleton (Boyz N the Hood) doesn't quite succeed at painting the illuminating, collective portrait of college life in the '90s that the director seeks. But Singleton does do a fine job of defining some conflicting impulses for young people on the cusp of adulthood, particularly the desire to broaden horizons on the one hand and circle the wagons with like-minded allies on the other. Students in the film's Columbus University divide themselves along lines of race, sexual preferences, ideology, and, most dangerously, levels of paranoia. Among the fine cast is Michael Rapaport, who portrays a loner drawn to a local community of neo-Nazis. His resultant problems with the school's African-Americans takes over the story at the expense of other, parallel dramas, but Singleton's insights into race hatred on campus--a microcosm of the surrounding culture--is not to be dismissed. --Tom KeoghGet ready for action with this explosively exciting hit! On the streets! they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate -- MENACE II SOCIETY) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency! From the Hughes Brothers, acclaimed directors of the smash hit MENACE II SOCIETY -- you'll love every pulse-pounding second as these bold thieves risk it all for the score of a lifetime!Twin brother codirectors Albert and Alan Hughes planned their first film, the 1991 ghetto crime drama Menace II Society as a response to John Singleton's Boyz N the Hood, which they considered wimpy and moralistic. They set their sights on The Deer Hunter in this ambitious follow-up, and they just about pull it off. Larenz Tate (from Why Do Fools Fall in Love) plays Anthony Curtis, an open-hearted African American teenager who gets shipp! ed out to Vietnam with several of his pals, witnesses unspeaka! ble horr ors, and then struggles to readjust to civilian life. The evolving textures of life in a declining inner-city neighborhood over a period of a decade are seamlessly evoked, and there's enough nuanced character development and personal interaction for a seven-hour miniseries. Still in their early 20s, the Hughes brothers are already poised and masterful moviemakers; they cover an enormous amount of historical and emotional ground, and every twist and turn is crystal clear. They betray their inexperience only at the very end, in an elaborately staged heist sequence that, while stunningly executed, feels a bit desperate, as if they were reaching blindly for a big payoff. Chris Tucker (Rush Hour) has a startling supporting role as a kid who becomes junkie during the war, and never quite recovers. --David Chute

Green River

• CREEDENCE CLEARWATER REVIVAL GREEN RIVER

24 bit digitally remastered reissue of their 1969 album. Nine tracks, including 'Green River', 'Bad Moon Rising' and 'Lodi'. Also features the original cover art. Digipak. --This text refers to an out of print or unavailable edition of this title.

Creedence Clearwater Revival Photos

Remarkably, this is the third studio album Creedence Clearwater Revival released in 1969! During that stunning burst, John Fogerty could do no wrong. Green River isn't as chock-full of CCR standards as the record that followed it in 1970 (Cosmo's Factory), and, at 30 minutes, it's briefer than its rather brief predecessor (Willy and the Poorboys). Still, this is economy at its best. The title track, "Lodi," and "Bad Moon Rising" are all indelibly etched into the memory banks of classic-rock fans, while "Commotion" and "Cross-Tie Walker" are perfect swamp-rock complements. "The Night Time Is the Right Time" is one more in a series of spot-on Fogerty covers. And "Wrote a Song for Everyone" manages to be both rarefied and down to earth in the same breath--which is really CCR in a nutshell. --Steven StolderIn her most personal and provocative book to date, the #1 bestselling m! aster of true crime presents "her long-awaited definitive narr! ative of the brutal and senseless crimes that haunted the Seattle area for decades" (Publishers Weekly). This is the extraordinary true story of the most prolific serial killer the nation had ever seen -- a case involving more than forty-nine female victims, two decades of intense investigative work...and one unrelenting killer who not only attended Ann Rule's book signings but lived less than a mile away from her home.Veteran crime writer Ann Rule is uniquely qualified to chronicle the grisly career of Gary Ridgeway, the man convicted of being the "Green River Killer," the most prolific serial killer in American history. Not only is she one of the more successful true-crime authors, but for nearly 20 years, Rule was exceptionally close to the case, reporting on it for a Seattle newspaper, preparing a long-delayed book on the subject, and living within a few blocks of the strip of highway where most of Ridgeway's victims were abducted. In Green River, Running Red, Rule! lends unique humanity to the string of murders that haunted the Seattle area throughout the '80s and '90s by exploring the lives of the dozens of young women who fell into prostitution and were ultimately murdered. Similarly, she catalogues Ridgeway's troubled and bizarre life in such a way that the reader becomes uncomfortably familiar with Ridgeway, although it's never truly clear what drove him to commit such heinous crimes. Along the way, she traces the decades-long struggle of the law enforcement officials assigned to the case as they tracked down countless leads, questioned innumerable suspects, and explored multiple theories that came up empty before finally cracking the case through a series of technological advancements and a little luck. But the most disturbing aspect of the Green River killings (named for where the first victims were found) is how they occurred in relatively plain sight, with Ridgeway, seemingly living an unremarkable life, dwelling and working ! within a few miles of where his lengthy killing spree took pla! ce and e vading capture for years. Rule skillfully weaves herself into her account, relating the psychic and cultural impact of the case as it evolved, but she never takes the spotlight off Ridgeway, his eventual captors, and the women who died at his hands.--John Moe24 bit digitally remastered reissue of their 1969 album. Nine tracks, including 'Green River', 'Bad Moon Rising' and 'Lodi'. Also features the original cover art. Digipak. --This text refers to an out of print or unavailable edition of this title.

Creedence Clearwater Revival Photos

Remarkably, this is the third studio album Creedence Clearwater Revival released in 1969! During that stunning burst, John Fogerty could do no wrong. Green River isn't as chock-full of CCR standards as the record that followed it in 1970 (Cosmo's Factory), and, at 30 minutes, it's briefer than its rather brief predecessor (Willy and the Poorboys). Still, this is economy at its best. The title track, "Lodi," and "Bad Moon Rising" are all indelibly etched into the memory banks of classic-rock fans, while "Commotion" and "Cross-Tie Walker" are perfect swamp-rock complements. "The Night Time Is the Right Time" is one more in a series of spot-on Fogerty covers. And "Wrote a Song for Everyone" manages to be both rarefied and down to earth in the sam! e breath--which is really CCR in a nutshell. --Steven Stold! er

Western Collection: 4 Film Favorites (American Outlaws / Young Guns II / Maverick / Wild Wild West)

• AMERICAN OUTLAWS: Widescreen [16x9 1.85:1] Version Commentary by Director Les Mayfield, Co-Writer John Rogers and Editor Michael Tronick Additional Scenes 4 Featurettes Storyboards, Productions Stills, Artwork and Publicity Galleries Cast & Crew Biographies & Film Highlights Languages: English & Fran ais Subtitles: English, Fran ais & Espa ol (Main Feature. Bonus Material/Trailer M

AMERICAN OUTLAWS - DVD MovieIf you're looking for a showcase for emerging Hollywood talent, American Outlaws is just the ticket. Its handsome young stars, playing Jesse and Frank James and gang, crack wise as if they were in a contemporary high school locker room. Combining authentic costumes and sets with stunt work befitting a Jackie Chan comedy, accompanied by an "Old West" soundtrack that's anything but old and only marginally Western, the film yields a few enjoyable highlights. Seasoned genre buffs, h! owever, will cringe at the movie's clash of visual qualities, as well as the dialogue, which, while not as heinous as that in Maverick, is on par with Young Guns in terms of non-period flavor. It's not exactly a testament to the enduring potential of the authentic Western that was realized by Clint Eastwood's Unforgiven, made barely a decade before.

With all the light-hearted action and character interplay, it's hard to tell if director Les Mayfield (Flubber) is taking the material seriously, but this much is certain: the Jesse James here (played with effortless appeal by Tigerland newcomer Colin Farrell) and his brother Frank (Gabriel Macht) have almost no connection to historical fact. Nor do their fellow farm-raised gang members, the Younger brothers Cole (Scott Caan), Bob (Will McCormack), and Jim (Gregory Smith). (And Jesse's fiancée, played by Ali Larter, looks like she dropped in from a Gap commercial.) The gang's post-Civil ! War battle against a ruthless railroad baron (Harris Yulin) an! d his Pi nkerton henchman (Timothy Dalton) seems arbitrary, irrational (since farmers typically welcomed railroads, not fought them), and riddled with clichés, turning the movie's bloodless shootouts into another opportunity for pretty-boy preening. --Jeff Shannon 4 FILM FAVORITES:WESTERN COLLECTION - DVD Movie

Ghosts of Cité Soleil Movie Poster (11 x 17 Inches - 28cm x 44cm) (2006) Style B -(Byung-hun Lee)(Su-Ae)(Duek-mun Choi)(Seok-yong Jeong)(Jung-ki Kim)(Hae-eun Lee)

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The reality of life today in haiti unfolds before us as we get to know two brothers & their stories intimately. They are 2pac & bily hatian gang leaders who strive to make better choices in a world with no choices at all. Studio: Image Entertainment Release Date: 11/20/2007 Run time: 85 minutes Rating: UrGhosts of Cité Soleil Poster (11 x 17 Inches - 28cm x 44cm) (2006) Style B reproduction poster print

CAST: Byung-hun Lee,Su-Ae,Duek-mun! Choi,Seok-yong Jeong,Jung-ki Kim,Hae-eun Lee,Se-eun Lee,Ki-su Na,Dal-su Oh,Chae-ik Park,Hae-jin Yu; DIRECTED BY: Geun-shik Jo;

Fried Green Tomatoes (Extended Collector's Edition)

• Wide Screen edition
• extended version

HOW TO MAKE AN AMERICAN QUILT - DVD MovieBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineBased on the bestseller by Whitney Otto, t! his film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall Fine"Remarkable...An affirmation of the strength and power of individual lives, and the way they cannot help fitting together."
THE NEW YORK TIMES BOOK REVIEW
An extraordinay and moving reading experience, HOW TO MAKE AN AMERICAN QUILT is an exploration! of women of yesterday and today, who join together in a uniqu! ely fema le experience. As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves.
A MAJOR MOTION PICTURE COMING OUT FALL 1995
-- with Maya Angelou, Winona Ryder, and Rip TornDIVINE SECRETS OF THE YA YA SISTERHOO - DVD MovieGrab your tissues and send the guys away, because Divine Secrets of the Ya-Ya Sisterhood is the most pedigreed chick flick since Steel Magnolias. You can tell by the title and the novelish names of the Louisiana ladies from Rebecca Wells's precious bestseller. First there's Sidda (Sandra Bullock), a successful playwright still wrestling with her manipulative mother, Vivi (Ellen Burstyn), after a traumatic upbringing. Then there's longtime friends Teensy (Fionnula Flanagan), Necie (Shirley Knight), and Caro (scene-stealer Maggie Smith), from Vivi's secret club of "Ya-Ya Priestesses," together since childhood and determined to heal the rift between Sidda a! nd her mom. Through an ambitious flashback structure (including Ashley Judd as the younger Vivi), screenwriter and first-time director Callie Khouri (who wrote Thelma & Louise) establishes a rich context for this mother-daughter reunion. There's plenty of humor to temper the drama, which inspires Bullock's best work in years. Definitely worth a look for the curious, but only fans of Wells's fiction will feel any twinge of loyalty. --Jeff ShannonBased on the bestseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Ba! ncroft, Kate Nelligan, and Maya Angelou, among others), who re! minisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineFroed Green tomatoes movie, wide screen edition, extended version DVD.Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignit! y is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom KeoghKathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dign! ity is generally the key to Avnet's approach with the story's ! crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh

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Documentary on comedian eddie griffin who heads back home to a family reunion which includes two uncles - one a porn director and the other an ex-pimp. Studio: Buena Vista Home Video Release Date: 06/07/2005 Starring: Eddie Griffin Joe Howard Run time: 89 minutes Rating: R Director: George GalloPRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.